1962 – 1967 Theater Initiatives

Black and white drawing of white chairs rearranging in space

Envisioned scenes for the Theater Vatronosa. Dancers, actors clad in black animating objects and telling a story. Collage on black paper. 1963.

Slobodan Dan Paich was one of early members of experimental theater Dadov and one of founding members of the theater group Maska. Later with a group of friends he started his own Pozorista Vatronosa.

Black and white drawing of vase and birdcage

Envisioned scenes for the Theater Vatronosa. Dancers, actors clad in black animating objects and telling a story. Collage on black paper. 1963.

Drawing of three chairs from Manifesto

Drawing from the Theater Vatronosa

This theater initiative was supported by Mira Traijlovic, director of the theater Atelje 212 . She invited Slobodan and the troupe to her theater to rehearse and develop a new way of theater communication towards a performance.

Drawing of single chair from Manifesto

Drawing from the Theater Vatronosa

In return Slobodan initiated and redefined the street level windows, at the building of the theater Atelje 212, into continuously changing exhibition spaces. This was done in anticipation and before the temporary installation was recognized as a legitimate art form.

Stage design of three white sculptural chairs and small table

Photograph of Slobodan Dan Paich's stage design for an adaptation of Andre Gide’s“Prometheus Misbound” at Atelje 212. 1966